Showing posts with label ghostwriter. Show all posts
Showing posts with label ghostwriter. Show all posts
Thursday, December 9, 2010
Ghostwriter - Film Star
The first cut of a short film made about me by a particularly charming and professional group of students from Farnham University of the Creative Arts is now on view at www.vimeo.com/17529822
Tuesday, March 30, 2010
Ghostwriter as Scurfy Recluse
Oh, the hubris of it all. In the very same week that the great Horace Bent celebrates the sex appeal of the ghostwriting fraternity in the equally great trade organ, The Bookseller, Terence Blacker writes in The Author that in publishing now scurfy recluses "put the words on paper", while well-scrubbed celebrities "appear on the cover and do the chat show circuit". From “sexy” to “scurfy”, how mortifying.
The eminent Blacker, however, goes on to provide a chink of light by predicting that within a year ghostwriters will be forming their own trade association, Ghostwriters of Britain (GOB), and will be powerful enough to “cripple the book trade for several months” by withdrawing their labour. The revenge of the scurfy recluses; it seems our day of power is nigh.
The eminent Blacker, however, goes on to provide a chink of light by predicting that within a year ghostwriters will be forming their own trade association, Ghostwriters of Britain (GOB), and will be powerful enough to “cripple the book trade for several months” by withdrawing their labour. The revenge of the scurfy recluses; it seems our day of power is nigh.
Tuesday, May 19, 2009
The Puzzle of Creating Best Sellers
Trying to judge which books will catch the public imagination doesn't get any easier, however long you struggle on in the publishing world.
I was pretty certain as I wrote "Cry Myself to Sleep" with Joe Peters that it was a story that people would really want to read, but follow-up books are always hard to pull off. We had had a number one success with "Cry Silent Tears" and it seemed almost too much to hope we could do it again, however much Joe might deserve it.
The second book picks up his story from when he ran away to London at sixteen to live on the streets. It is all about what happens to damaged kids once they grow up and go looking for a place in the world. Joe is an incredibly inspiring character.
Thankfully, my gut feeling has been proved right and the book is already at number three in the charts, battling it out with Jade and Barak and the rest. But then I was equally sure that "For the Love of Julie" which I wrote for Ann Ming, would soar straight to the top of the charts. Everyone who reads this story of a mother fighting for justice for her murdered daughter, (whose body she herself found,months after the killing), tells me that they sobbed almost all the way through it. Ann is another inspiring person who has achieved the most incredible things in getting the 800 year old law of double jeopardy changed, but the book has not soared as fast as Joe's.
I'm confident that word of mouth will result in big sales for Ann eventually, albeit at a slower and steadier rate, but it is a puzzle why the one title has taken off so much faster than the other.
In between these two lies "Disgraced", which I wrote for Saira Ahmed, telling of how she ended up on the game after escaping from her arranged marriage. The book went into the charts, and is selling well around the world, but did not go straight into the top three like Joe.
I guess if we could predict accurately who the big winners were going to be, some of the excitement would have gone.
I was pretty certain as I wrote "Cry Myself to Sleep" with Joe Peters that it was a story that people would really want to read, but follow-up books are always hard to pull off. We had had a number one success with "Cry Silent Tears" and it seemed almost too much to hope we could do it again, however much Joe might deserve it.
The second book picks up his story from when he ran away to London at sixteen to live on the streets. It is all about what happens to damaged kids once they grow up and go looking for a place in the world. Joe is an incredibly inspiring character.
Thankfully, my gut feeling has been proved right and the book is already at number three in the charts, battling it out with Jade and Barak and the rest. But then I was equally sure that "For the Love of Julie" which I wrote for Ann Ming, would soar straight to the top of the charts. Everyone who reads this story of a mother fighting for justice for her murdered daughter, (whose body she herself found,months after the killing), tells me that they sobbed almost all the way through it. Ann is another inspiring person who has achieved the most incredible things in getting the 800 year old law of double jeopardy changed, but the book has not soared as fast as Joe's.
I'm confident that word of mouth will result in big sales for Ann eventually, albeit at a slower and steadier rate, but it is a puzzle why the one title has taken off so much faster than the other.
In between these two lies "Disgraced", which I wrote for Saira Ahmed, telling of how she ended up on the game after escaping from her arranged marriage. The book went into the charts, and is selling well around the world, but did not go straight into the top three like Joe.
I guess if we could predict accurately who the big winners were going to be, some of the excitement would have gone.
Monday, September 1, 2008
When is a "misery memoir" just a "powerful story"?
There was yet more coverage in the publishing trade media this week of "mis-mem sales dipping" - but how is anyone measuring what is or isn't mis-mem?
Misery memoirs are just powerful stories starring great heroes and the world will never grow tired of reading them, however the trade chooses to label them.
Over the last few months I have been involved with four books that might be included in the genre; "Cry Silent Tears" by Joe Peters, (currently number one in the Sunday Times paperback non-fiction chart), "Daddy's Little Earner" by Maria Landon, (which went to number two in the same chart a few weeks ago), "Disgraced" by Saira Ahmed, which is the newly published story of a girl who escaped an arranged marriage in Pakistan and went on the game to support her family and "For the Love of Julie" by Ann Ming, a woman who spent 17 years battling to get the law of double jeopardy changed in order to bring her daughter's murderer to justice.
They could all be labelled as "misery", or perhaps "women in peril", or "crime", or "culture gap stories" - or perhaps they are just powerful tales about heroes and heroines who battle against adversity and have extraordinary and extreme experiences that the rest of us are fortunate enough to avoid. If it is the latter, doesn't that cover virtually every great story ever told?
Or are we saying that "mis-mems" are only the stories told by abused children? If that is the case how can they be said to be in decline when Joe Peters, Maria Landon and Judy Westwater were all in the paperback top ten together a couple of weeks ago?
Powerful tales, with strong and likeable heroes battling against adversity are always going to appeal to readers, whether you pigeon-hole them as "misery" or just call them "powerful stories".
People overcoming adversity, (or misery if you prefer), always make for gripping reading in both fiction and non-fiction and the subject matter they deal with will always develop as we learn and understand more about the world about us. No publisher would have been willing to touch the incendiary material contained in "Cry Silent Tears" five years ago when Kevin Lewis's "The Kid" was first published. We have all learned a lot in those five years and I suspect there are many more moving, inspiring and powerful personal stories to come, whether we choose to call them "mis-mems" or not.
Misery memoirs are just powerful stories starring great heroes and the world will never grow tired of reading them, however the trade chooses to label them.
Over the last few months I have been involved with four books that might be included in the genre; "Cry Silent Tears" by Joe Peters, (currently number one in the Sunday Times paperback non-fiction chart), "Daddy's Little Earner" by Maria Landon, (which went to number two in the same chart a few weeks ago), "Disgraced" by Saira Ahmed, which is the newly published story of a girl who escaped an arranged marriage in Pakistan and went on the game to support her family and "For the Love of Julie" by Ann Ming, a woman who spent 17 years battling to get the law of double jeopardy changed in order to bring her daughter's murderer to justice.
They could all be labelled as "misery", or perhaps "women in peril", or "crime", or "culture gap stories" - or perhaps they are just powerful tales about heroes and heroines who battle against adversity and have extraordinary and extreme experiences that the rest of us are fortunate enough to avoid. If it is the latter, doesn't that cover virtually every great story ever told?
Or are we saying that "mis-mems" are only the stories told by abused children? If that is the case how can they be said to be in decline when Joe Peters, Maria Landon and Judy Westwater were all in the paperback top ten together a couple of weeks ago?
Powerful tales, with strong and likeable heroes battling against adversity are always going to appeal to readers, whether you pigeon-hole them as "misery" or just call them "powerful stories".
People overcoming adversity, (or misery if you prefer), always make for gripping reading in both fiction and non-fiction and the subject matter they deal with will always develop as we learn and understand more about the world about us. No publisher would have been willing to touch the incendiary material contained in "Cry Silent Tears" five years ago when Kevin Lewis's "The Kid" was first published. We have all learned a lot in those five years and I suspect there are many more moving, inspiring and powerful personal stories to come, whether we choose to call them "mis-mems" or not.
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